A Comparative Study on Parody in Tripmaster Monkey: His Fake Book

Xuan GUO

Abstract


In Trpmaster Monkey: His Fake Book (TM), parody as a distinctive writing technique is unfolding in front of readers, which effectively functions in developing the plot and serving for the theme of the novel. The thesis aims to carry on a comparative study on the parody employed in TM from the following two perspectives: parody on the Beat Generation and On the Road as well as parody on Sun Wukong and Journey to the West.

Keywords


Parody; Comparative study; The beat generation; Sun Wukong; Culture assimilation

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References


Kingston, M. H. (1989). Tripmaster monkey: His fake book. New York: Vintage Books, A Division of Random House, Inc.

Li, M. (2007). The practical application of collage, parody, and intertextuality in Maxine Hong Kingston’s work. Qingdao: Journal of Qingdao University of Science and Technology (Social Sciences), 23(2), 177-120.

Tao, Y. (2007). Reconstructing new identity for Chinese Americans in tripmaster monkey: His fake book. Chengdu: Foreign Languages Department of Sichuan University, (4), 14-18.

Wang, B. (2008). A quest for cultural identity: A postcolonial study of tripmaster monkey: His fake book. Qufu: Qufu Normal University, (4), 14-36.

Zhang, Z. Q. (1983). Chinese American literature, collected in Tripmaster Monkey. Guangxi, China: Lijiang Publishing House.




DOI: http://dx.doi.org/10.3968/8823

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