From Material Collection to Ideological Presentation: A Paradigm Shift in Museum Practice
Abstract
Under the impetus of the New Museum Movement, the definition of museum has been updated. Museums are no longer merely places of “collection, storage and exhibition”, but also have functions of “research, education and pleasure”. Although “comprehensive and scarce” collection is important, it is no longer the only standard for museum exhibition. At the same time, new ideas have emerged that emphasize “human” subjectivity, multiple expressions, and situational narratives. As a result, the paradigm shift from material collection to ideological presentation has become a specific direction for museum practice in China today.
Keywords
Full Text:
PDFReferences
Ambrose, T., & Paine, C. (2006). Museum basics. New York: Routledge.
Anderson, G. A. (2004). Framework: Reinventing the museum. In G. Anderson, Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift. Lanham and New York: AltaMira Press.
Cameron, D. (1971). The museum, A temple or the forum. Curator: The Museum Journal, (1).
Chen, S., & Shang, Y. Z. (2022). On the ‘Object’s Agency’ theory and practice into Museums’ cultural relics research. Palace Museum Journal, (05).
Chen, S., & Shang, Y. Z. (2022). On the Initiative of things and its application in the research of museum collections. Journal of the Palace Museum, (5), 9.
Deetz, J. (1977). In small things forgotten. Berkeley: University of California Press.
Harvey, K. (2018). Introduction: Historians, Material Culture and Materiality, In K. Harvey (Ed.), History and material culture: a student’s guide to approaching alternative sources (2nd ed). New York: Routledge.
Jian, X. (2016). Great mountains: An intellectual history of early Chinese museums. Beijing: Science Press.
Robin, C. (1994). The idea of history. Oxford: Oxford University Press.
Xu, L. (2015). Museums and modern Chinese public culture (1840-1949). Beijing: Science Press.
Xu, J. (2016). Famous mountains: History of early Chinese museums as history of thoughts (p.20). Beijing: Science Press.
Xu, L. (2007). A review of modern Chinese museum studies. China Museum, (02).
DOI: http://dx.doi.org/10.3968/12627
Refbacks
- There are currently no refbacks.
Copyright (c) 2022 Author(s)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Reminder
- How to do online submission to another Journal?
- If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
1. Register yourself in Journal B as an Author
- Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.
2. Submission
Online Submission: http://cscanada.org/index.php/css/submission/wizard
- Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
- We only use four mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]; [email protected]
Articles published in Canadian Social Science are licensed under Creative Commons Attribution 4.0 (CC-BY).
Canadian Social Science Editorial Office
Address: 1020 Bouvier Street, Suite 400, Quebec City, Quebec, G2K 0K9, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:[email protected]; [email protected]
Copyright © Canadian Academy of Oriental and Occidental Culture