Rock-Art of Mir Malas, Iran
Abstract
Rock-Art as a pictorial language shows different aspects of ancient life and culture. Pictographs include rock-art; great treasure of fantastic information. Rock-art is formed in ethical and historical concepts. In this study, some new information has been doing served and categorized according to their structure and variety. After recognizing the geographical scope of those drawings on limy stone; they were classified according to their pictures, hunting and hunting animals; then, divided to four groups: human beings, animals tools and unknown pictures included horseman or on foot hunters with arc and arrow, horse riding and on foot men in fighting, sword, arc and arrow, goat, fawn, dog, unknown and unclear drawings. Exaggerated perspicuity in showing bodies and their movements showed fi ghting and following of hunters to animals easily. So, the most important goal was analyzing their structures and drawings to further studies hope folly.
Key words: Kuh-Dasht; Mir Malas; Rock-Art; Pictograph
Résumé L’Art rupestre est un langage pictural qui montre les différents aspects de la vie ancienne et la culture. Les pictogrammes comprennent l’art rupestre; le grand trésor d’informations fantastique. L’Art rupestre est formé dans les concepts éthiques et historiques. Dans cette étude, une nouvelle information a fait servi et classés selon leur structure et de la variété. Après avoir reconnu la portée géographique de ces dessins sur la pierre calcaire, ils ont été classés en fonction de leurs photos, la chasse et la chasse aux animaux, puis, divisée en quatre groupes: les êtres humains, des animaux et des outils inconnus photos incluses cavalier ou sur les chasseurs à pied à l'arc et la fl èche , l’équitation et sur les hommes de pied dans les combats, épée, arc et fl èche, de chèvre, fauve, chien, inconnu et dessins peu clairs. Clarté exagérée en montrant les corps et leurs mouvements ont montré la lutte contre et à la suite des chasseurs pour les animaux facilement. Ainsi, l’objectif le plus important a été l’analyse de leurs structures et des dessins à d'autres études espérons folie.
Mots clés: Kuh-Dasht; Mir Malas; Art rupestre; Pictogramme
Keywords
DOI: http://dx.doi.org/10.3968/j.css.1923669720120802.1598
Refbacks
- There are currently no refbacks.
Copyright (c)
Reminder
- How to do online submission to another Journal?
- If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
1. Register yourself in Journal B as an Author
- Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.
2. Submission
Online Submission: http://cscanada.org/index.php/css/submission/wizard
- Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
- We only use four mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]; [email protected]
Articles published in Canadian Social Science are licensed under Creative Commons Attribution 4.0 (CC-BY).
Canadian Social Science Editorial Office
Address: 1020 Bouvier Street, Suite 400, Quebec City, Quebec, G2K 0K9, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:[email protected]; [email protected]
Copyright © Canadian Academy of Oriental and Occidental Culture