The Comparison and Development of Color Between East and West

Xuehui Du

Abstract


Take a panoramic view of the painter’s application of color, almost everyone strengthens his self-cultivation positively. Chinese ancient ancestors established “the five elements” as the symbol of color to the space, and it’s a kind of presentation of spontaneous philosophy. Chinese painting values verve highly, while Western painting lionizes are more about similarity in shape. But the appearance of modernism in the end of 19 century makes them close, in the mean time the art between east and west had achieved a considerable unification which means there is no border between the arts.

Key words: Color; The Chinese painting; The western painting; Development


Keywords


Color; The Chinese painting; The western painting; Development

References


Chen, Zhidong (1990). The Function and Significance of Chinese Painting Color. The Observation of Art, (10), 71-73.

Kong, Xingmiao (2005). The Comparison of Chinese and Western. Henan Art Press.

Li, Guangyuan & Li, Li (2006). The Comparison of Chinese and Western. Hebei Art Press.

Lin, Fengmian (2006). Chinese Painting New Tradition Chinese Art Research Institution (Doctoral dissertation).

Xiong, Wei (2005). The Collision of Aesthetic Conception of Chinese Painting and Philosophical. The Observation of Art, (12), 92.

Zhao, Xinge (2001). The Century Collection of Chinese Paintings People (1st ed.). Art Press.




DOI: http://dx.doi.org/10.3968/j.css.1923669720120804.1245

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