Crossing the Accepted Sexual Frontiers: Mary Traverse’s Faustian Quest in Timberlake Wertenbaker’s The Grace of Mary Traverse
Abstract
Timberlake Wertenbaker’s The Grace of Mary Traverse is about how the heroine Mary Traverse, defying the bounded atmosphere of the patriarchal society represented by her father, crosses the accepted sexual frontiers, ends up bruised and battered but still has a hope for a just world in the future. The paper analyzes Traverse’s Faustian quest for power in the public space. With a critical portrayal of the lives of women in patriarchal society, Wertenbaker shows that to gain power, women need to dismantle the ideological biases toward women rather than merely mimicking and appropriating the behaviors of men under the patriarchal ideology.
Keywords
Full Text:
PDFReferences
Carlson, S. (2000). Language and identity in Wertenbaker’s plays. In E. Aston & J. Reinelt (Eds.). The Cambridge companion to modern British women playwrights. Cambridge: Cambridge University Press.
DiGaetani, J. L. (1991). A search for a postmodern theatre: Interviews with contemporary playwrights. New York: Greenwood Press.
Greene, A. (Ed.). (2006). A conversation: Timberlake Wertenbaker, Max Stafford-Clark and Michael Billington. Women writing plays: Three decades of the Susan Smith Blackburn Prize (pp.54-68). Austin: University of Texas Press.
Lutterbie, J. H. (2002). Timeberlake Wertenbaker. In D. I. Janik & E. S. Nelson (Eds.), Modern British women writers: An A-to-Z Guide (pp.358-366). Westport, Conn.: Greenwood Press.
Scolnicov, H. (1994). Woman’s theatrical space. Cambridge: Cambridge University Press.
Sullivan, E. B. (1993). Hailing ideology, acting in the horizon, and reading between plays by Timberlake Wertenbaker. Theatre Journal, 45(2), 139-154.
Ward, C. A. (1995). Attitudes toward rape: Feminist and social psychological perspectives. London: Sage Publications Ltd.
Wertenbaker, T. (1989). The love of the nightingale and the grace of Mary Traverse. London: Faber and Faber.
Wyllie, A. (2009). Sex on stage: Gender and sexuality in post-war British theatre. Chicago: University of Chicago Press.
DOI: http://dx.doi.org/10.3968/j.ccc.1923670020130906.3029
Refbacks
- There are currently no refbacks.
Copyright (c) 2013 Li WANG
This work is licensed under a Creative Commons Attribution 4.0 International License.
Reminder
- How to do online submission to another Journal?
- If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
1. Register yourself in Journal B as an Author
- Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.
2. Submission
Online Submission: http://cscanada.org/index.php/ccc/submission/wizard
- Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
- We only use four mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]; [email protected]
Articles published in Cross-Cultural Communication are licensed under Creative Commons Attribution 4.0 (CC-BY).
CROSS-CULTURAL COMMUNICATION Editorial Office
Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:[email protected]; [email protected]
Copyright © Canadian Academy of Oriental and Occidental Culture