A Boomerang: How Nollywood Ravages Youths’ Moral Fabric in A North-Central Nigeria Suburban Community

Solomon Samuel Gonina, Satkyes Samuel Mwansat, Christiana Chundung Pam

Abstract


The intent of Nollywood films has usually and always been to correct societal ills such as greed, prostitution, ritual killing, ostentatious living, armed robbery, terrorism and criminality, among other forms of corruption. While productions and movies have been acted and created along those lines, it appears that that noble intention of correcting negatives is boomeranging as a great deal of the societal ills are daily being learnt and cultivated through and as a result of the consumption of such movies. Adopting the cultivation and agenda setting theories of the media, this study surveyed the responses of a number of young men and women resident in Farin Gada, a suburb of Jos, North Central Nigeria. Using simple random sampling technique and Krejcie/Morgan’s Table of Sampling, this study investigated three hundred and eighty four (384) youths of Farin Gada. Findings reveal a boomeranging effect in terms of expected outcome from the watching of Nollywood movies.

Keywords


Nollywood; Movies; Themes; Boomerang; Youths; Fabric

Full Text:

PDF

References


Abarry, A. (1986). Understanding long essay and thesis writing. Jos: Jos University Press Limited.

Adenugba, O. (2007). Nollywood: A name and an industry. Nigerian films. Retrieved from http//:www.nigerianfilms.com. Accessed on 25th October, 2021

Adenugba, O. (2008). Genres of the Nigerian film. Retrieved from http://www.filmnigria.blogspot.com./2008/07/genre_of_nigerian_film.html.

Akande, V. (2009). Upping the prospects of indigenous- language films. The Nation, p.24.

Akpabio, E. (2003). Themes and conflict of Nigerian home video movies in unilag. Personality and Social Psychology, 4, 1.

Akpan, C.S. (2002). Film: Philosophy and practice. Nsukka: Prize Publishers.

Alamu, O. (2010). Aesthetics of Yoruba film. Research institute for world languages. Osaka: Osaka University Press.

Amodu, M. (2011). Nigerian home videos and enhanced music investment; creative artist: A Jounal of theatre and media studies. Accessed from http://.www.ajol.info/76565

Balogun, O. (2005). Does Nigeria Have a film?. Accessed from http://www.ng.nigeria_have_a_film.html

Benibo, T. F. (2008) The Nigerian film industry. Jos: Nigerian film Corporation Jos

Daramola, I. (2005). Mass media and society. Lagos: Rothan Press Limited.

Esan, O. (1993). Receiving television messages. Unpublished PhD Thesis, University of Glasgow. Accessed from http://www.amazon.co.uk/rrecieving_television_message/html

Eziagwu, I. (2009). The effect of home video and movie industry on the socio moral behaviours of Nigerian people. Accessed from http//:www.unn.edu.ng/publications/files/images/eziagwu%20kachi.pdf.

Giwa, T. (2014). Nollywood :A case study of the Rising Nigerian film industry –content & production. Research papers .Accessed from http://wwww.opensiu.libsiu.edu/gs_rp/518.

Haynes, J. (2005). Nollywood in Lagos, Lagos in Nollywood. Africa Today, 54(2), 131-150

Haynes, J. (2005). Nollywood: what is in the name?. Accessed from http//:www.Nollywood.net/Essays

Highet, J. (2010). Inside Nollywood. New African, 494, 18-19. Accessed from http//:www.tradimeconomics/Nigeria/population.

Iroh, E. (2009). Nollywood?. This Day, p.32, May 26, 2009. Lagos.

Krejcie, R. V., & Morgan, D. W., (1970). Determining sample size for research activities. Educational and Psychological Measurement. Accessed from http://www.kenpro.org/sample-size-for-research.

Kunzler, D. (2007). The Nigerian film industry as an example of impact substitution. Accessed from http//:www.suz.unizh.ch.kunzler.Accessed 10 - 05- 242.

Nnaji, N. (2011). Uses and gratification of home videos among Nigerian teenage audience: Impications for cultural development and sustainability. Accessed from http://www.ajol.info/index.php/affrev/article/download/69283/57312.html

Ofole, N. (2010). Antisocial behaviour and their effects on students. General well-being: A counseling psychologist viewpoint. Accessed From http://www.antisocial_behaviour_and_their_effect_on_students

Olugbenga, E. (2015). Nollywood films and students behaviour in college of education, oyo. Accessed from http://www.researchgate.net/publication/320715978_Nollywood_film_students-behaviour_in_college_of_education_oyo

Oslow, M. (2003). The act of deliquency. New York: Prayer Publication.

Ovoko, O. (2015). Nollywood movies and nation building. Journal of Theatre and Media Studies, 1(1), 125-133.

Owens-Ibe, N. (2006). How video films developed in Nigeria. Accessed from http//:www.wacc.org.uk/wacc/publications/media_developments/archive/998-1/h

Udofia, N. & Tom, E. (2013). Evaluation of nollywood movies explicit contents and the sexual behaviour of youth in Nigerian secondary schools. Research on Humanities and Social Sciences, 3(5).




DOI: http://dx.doi.org/10.3968/12370

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Canadian Social Science

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

Reminder

  • How to do online submission to another Journal?
  • If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

Submission Guidelines for Canadian Social Science

We are currently accepting submissions via email only. The registration and online submission functions have been disabled.

Please send your manuscripts to [email protected]，or [email protected] for consideration. We look forward to receiving your work.

 Articles published in Canadian Social Science are licensed under Creative Commons Attribution 4.0 (CC-BY).

 

Canadian Social Science Editorial Office

Address: 1020 Bouvier Street, Suite 400, Quebec City, Quebec, G2K 0K9, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail:[email protected]; [email protected]

Copyright © Canadian Academy of Oriental and Occidental Culture