The Ironic Double of Sin and Revenge: Concept of Revenge in Edgar Allen Poe and Nathanial Hawthorne

Min YU

Abstract


In Genesis, God put everlasting enmity between human beings and the serpent, which was then rewritten by John Milton in Paradise Lost; Milton’s God assigns human beings the task of revenging on the serpent, granting a sense of justice and sublime to the action of vengeance. The mutual-death picture of revenge, depicted in the Bible and sublimed by Milton, was rewritten de-constructively by Edgar Allen Poe in “The Cask of Amontillado” and also by Nathanial Hawthorne in The Scarlet Letter. Both writers appropriated the mutual-death structure of avenger and victim to illustrate the miserable outcome and sinister nature of revenge. Poe and Hawthorne, echoing each other, transform the sublime mutual-death picture into an ironic double of sin and vengeance, in which occurs the ironic role-shifting between sinner and victim, the identification of the avenger as a greater sinner and the deconstruction of sublime and the possibility of redemption.


Keywords


Rewriting; Revenge; Sin; Redemption

Full Text:

PDF

References


Benjamin, Walter. (1992). The Task of the Translator. In Theories of Translation (Eds.), Rainer Schulte & John Biguenet (pp.(71-92). Chicago: University of Chicago Press.

Bloom, H. (2005). Novelists and novels. Philadelphia: Chelsea House Publishers.

Eco, U. (1983). Postscript to the name of the rose. (W. Weaver, Trans.). San Diego, Calif., New York, and London: Harcourt Brace Jovanovich.

Evans, R. C. (2010). The complexities of ‘Old Roger’ chillingworth: Sin and redemption in Hawthorne’s The Scarlet Letter. In H. Bloom (Ed.), Bloom’s literary themes: Sin and redemption. New York: Infobase Publishing.

Hawthorne, N. (2001). The scarlet letter. Shanghai: Shanghai Foreign Language Education Press.

James, H. (2008). “Essay” (1879). In H. Bloom (ed.). Bloom’s Classic Critical Views: Nathaniel Hawthorne (pp.183-191). New York: Infobase Publishing.

Kopley, R. (2009). A tale by Poe. In H. Bloom (Ed.). Bloom’s modern critical interpretations: “The Tell-Tale Heart” and other stories—new edition. New York: Infobase Publishing.

Milton, J. (2005). Paradise lost. Oxford, Mass.: Oxford University Press.

Poe, Edgar, A. (2006). The cask of Amontillado. In G. J. Kennedy (Eds.), The portable Edgar Allan Poe (pp.208-214). New York: Penguin Books.

Steep, Walter. (2009). The ironic double in Poe’s “The Cask of Amontillado”. Bloom’s modern critical interpretations: “The Tell-Tale Heart” and other stories—new edition (H. Bloom, Ed.). New York: Infobase Publishing.




DOI: http://dx.doi.org/10.3968/11009

Refbacks

  • There are currently no refbacks.


Copyright (c) 2019 Min YU

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard

Please send your manuscripts to [email protected],or  [email protected]  for consideration. We look forward to receiving your work.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail[email protected]; [email protected]; [email protected]

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture