From Oral Epic to Novel, Stage Play to Film and Teleplay: A Study on the Cross-Media Narrative Effects of the Tibetan Heroic Epic Gesar

Changting LI, Biying CHEN

Abstract


The Tibetan epic Gesar is a shining pearl in Tibetan culture. From oral epic to novel, stage play to film and teleplay, its unique cross-media narrative effects make this ancient cultural heritage in the modern society full of new vitality. This article analyzes Gesar from the perspective of cross-media narration, and concludes the effects of different text narration on charm and limitation, innovation and development, complementarity and fusion, and cultural significance. Gesar’s cross-media narrative mode shows its unique charm and depth. Through the clever combination of text, image and audio and other media, Gesar’s heroic image and the essence of Tibetan culture are successfully transmitted to the vast audience. This narrative mode not only enriched the expression of the story, but also made Gesar’s wisdom, bravery and kindness fully displayed and deeply rooted in the people’s hearts.


Keywords


Gesar; Cross-Media Narrative; Oral Epic; Novel; Stage Play; Film and Teleplay

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DOI: http://dx.doi.org/10.3968/13352

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