The Social Critical Function of Female Discourse in Alias Grace

Xiaoxiao LÜ

Abstract


In her ninth novel, Alias Grace, Margaret Atwood shifts her perspective on the Canadian past and reconstructs a historical murder case of the 1840s with her powerful imagination. Women’s living condition is still the central concern. Grace Marks, the marginalized silent “other”, is granted with female discourse to tell stories of lower-class women’s miserable fate, which forms a spicy criticism and irony against the hypocritical Victorian social and gender ideology.


Keywords


Margaret Atwood; Alias Grace; Female discourse; Social critical function

Full Text:

PDF

References


Adamo, L. (1998). The imaginary girlfriend: A study of Margaret Atwood’s the handmaid’s tale, cat’s eye, the robber bride, and alias grace. Diss. Calgary: University of Calgary.

Atwood, M. (1996). Alias grace. Toronto: McClelland &Stewart Inc.

Atwood, M. (1998). In search of Alias Grace: On writing Canadian historical fiction. American Historical Review, 103(5), 1503-16.

Kumamoto, S. S. (2003). The eroticism of class and the enigma of Margaret Atwood’s. Alias Grace. Tulsa Studies in Women’s Literature, 22(2), 371-86.

Morgan, C. (1996). Public men and virtuous women: The gendered languages of religion and politics in upper Canada, 1791-1850. Toronto: University of Toronto Press.

Pauly, S. (1999). Madness in English-Canadian fiction. Diss. Aachen: Universitat Trier.

Rigney, B. H. (1978). Madness and sexual politics in the feminist novel: Studies in bronte, woolf, lessing and atwood. Madison: The University of Wisconsin Press.

Rubenstein, R. (1997). Quilt and guilt. The World & I, 12(2), 262-67.

Seidman, B. K. (2001). Alias grace. beacham’s encyclopedia of popular fiction: Analyses (pp.5047-68). In K. Balcer et al. (9th eds.). Detroit: Gale Group.

Siddall, G. (2004).“This is what I told Dr. Jordan…”: Public constructions and private disruptions in Margaret Atwood’s. Alias Grace. Essays on Canadian Writing, 81, 84-102.

Trigg, T. (2003). Casting shadows: A study of madness in Margaret Atwood’s novels. Diss. Ottawa: University of Ottawa.




DOI: http://dx.doi.org/10.3968/n

Refbacks

  • There are currently no refbacks.


Copyright (c)



Share us to:   

 

Online Submission: http://cscanada.org/index.php/sll/submission/wizard


Reminder

How to do online submission to another Journal?

If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail: [email protected]; [email protected]; [email protected]

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture