Charles Dickens’ A Madman’s Manuscript: Madness and Its Aspects

Ali Mohmmad Alshhre

Abstract


With the rise and development of psychology and the clinics in the nineteenth century, many psychologists classify madness as a mental disorder or a mental illness. Dickens views madness as a mental illness. But, Dickens alludes to madness as a symbol of pride, power, and greatness in his short story, A Madman’s Manuscript. When the madman says: “It is a grand thing to be mad” (Dickens, 1997, p.14), he considers his madness as a powerful, dominant, and creative tool for achieving his aims and plans. Porter and Foucault give many historical and religious explanations regarding madness and its connection to power, dominance, and pride. For example, madness is seen as a “gift bringer” (Porter, 1987, p.60) that brings benefits and blessings for them; consequently, the madmen would have happiness, intelligence, and creativity. Furthermore, Porter explains the religious meaning of the idea “good madness” (Ibid., p.83) that has a strong association between God and the worshipper, unlike the “bad madness” (Ibid.) that is associated with Satan and evils. For the madman in A Madman’s Manuscript, his madness is considered as a bad one due to his predecessors’ wrongdoings and their sins; hence, he is insulting his race and their sins. Moreover, the idea of madness as power, greatness and pride in Dickens’ A Madman’s Manuscript makes the madman suffers differently from some aspects of madness, melancholia, monomania, schizophrenia, and hysteria. The madman suffers and because of his “sadness and the great fear” (Foucault, 1988, p.120), he becomes fully obsessed with melancholic notions and thoughts. For example, his wife’s dislike to him makes him melancholic and very depressed. Then he decides to kill her rather than to see her with someone else. The complete obsession with killing his spouse makes him monomaniac as well. In addition to the madman’s character as melancholic and monomaniac, he is schizophrenic. The reality distortions are a symptom of schizophrenia that the madman suffers from. The “internal heat” (Ibid., p.139) inside the body makes the madman acts hysterically when he sees the people celebrating on street, and he is not able to join them due to his insanity. Therefore, Dickens’ characterization of the madman in the story is so special and unique. Finally, A Madman’s Manuscript is an expressive short story that illustrates different notions of madness rather than its consideration as a mental disorder or illness.

 


Keywords


Melancholia; Schizophrenia; Hysteria; Madness; Pride; The great fear

Full Text:

PDF

References


Betts, D. J. (1988). Charles Dickens and the idea of madness. Diss. University of Tasmania.

Choi, Y. J. (1968). Shakespeare’s use of the melancholy humor. Diss. North Texas State University.

Claxton, J. B. (2008). Madness and illness? Radical Psychology 7. n.p. Web. 15 Apr. 2016.

Craig, S. F. (2012). Ghosts of the mind: The supernatural and madness in Victorian Gothic literature. Honors Theses. Web. 29 Feb. 2016.

Dickens, C. (1997). A madman’s manuscript. Complete ghost stories. London: Wordsworth Classics.

Dodds, E. R. (1951). The greeks and the irrational. Berkeley: University of California.

Eysenck, H. J. (1995). Genius: The natural history of creativity. Cambridge: Cambridge University Press.

Foucault, M. (1988). Madness and civilization: A history of insanity in the age of reason (R. Howard, Trans.). New York: Vintage Random House.

Freud, S. (1955). The complete works of Sigmund Freud (Vol.19, p.235). In Standard (Ed.). London: Hogarth Press. Web. 25 May, 2016.

Ingram, A., et al. (2011). Melancholy experience in literature of the long eighteenth century: Before depression 1600-1800. Basingstoke: Palgrave Macmillan.

Pike, H. A. (1995). The most dreadful visitation: An examination of Dickens’ treatment of madness in his novels. Diss. University of Salford.

Porter, R. (1987). Mind- Forg’d Manacles: A history of Madness in England from the restoration to the regency. Massachusetts: Harvard University Press.

Porter, R. (1988). A social history of madness: The world through the eyes of the Insane. New York: Weidenfeld & Nicolson.

Porter, R. (2002). Madness: A brief history. New York: Oxford University Press.

Schlesinger, J. (2009). Creative Mythconceptions: A closer look at the evidence for the “mad genius” hypothesis. Psychology of Aesthetics, Creativity, and the Arts, 3(2), 62. Web. 10 Apr. 2016.

Sivananda, S., & Krishnananda, S. (1974). Mind: Its mysteries and control (12th ed.). Rishikesh: The Divine Life Society.

Skultans, V. (1975). Madness and morals: Ideas on Insanity in the nineteenth century. London and Boston: Routledge and Kegan Paul.

Takei, A. (2005). Benevolence or manipulation? The treatment of Mr. Dick. The Dickensian, 101(466), 116. Web. 11 Apr. 2016.

Taylor, A. S. (1873). The principles and practice of medical jurisprudence (2nd ed., Vol. 2). Henry C. Lea.




DOI: http://dx.doi.org/10.3968/8631

Refbacks

  • There are currently no refbacks.


Copyright (c) 2016 Ali Mohmmad Alshhre

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard


Reminder

How to do online submission to another Journal?

If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail[email protected]; [email protected]; [email protected]

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture