Hysterical Fantasy in F. Scott Fitzgerald’s Tender is the Night

Thi Huong Giang Bui

Abstract


Through many years, F. Scott Fitzgerald’s Tender is the Night has remained a novel worthy of reading and analyzing for various reasons. It can be clearly seen that Fitzgerald found a way to give it a symmetry that is not usually found in long psychological novels. Having conceived a new, modernist structure and adopted a third person limited omniscient point of view, Fitzgerald shows us the process of collapse until Diver has nothing left in his life; his marriage and his friendships are all destroyed. With the aim of bringing out a new way of reading Tender is the Night, this paper investigates the reasons for Dick Diver’s downfall, dealing with both professional career and personal life using the framework of Freudian theory and in particular the concept of hysterical fantasy. It is then further suggested that Diver’s fantasy derives from the trauma in his childhood with the loss of his father. According to Freud’s dynamic view, hysterical fantasy in men relates to either hidden sexual desire or ambitions in life. Considering Freud’s concepts in regard to the protagonist’s case, the present paper argues that Dick Diver’s failure resulted from both his hidden sexual desires and his excessive ambition in his professional career.

Key words: Freud; Fantasy; Downfall; Trauma; Loss


Keywords


Freud; Fantasy; Downfall; Trauma; Loss

References


Berman, R. (2005). American Dreams and ‘Winter Dreams’: Fitzgerald and Freudian Psychology in the 1920s. F. Scott Fitzgerald Review, 4, 49-64.

Blazek, W. (2007). ‘Some Fault in the Plan’: Fitzgerald’s Critique of Psychiatry in Tender is the Night. Liverpool: Liverpool UP.

Blazek, W. & Rattray, L. (2007). Twenty-First-Century Readings of Tender is the Night. Liverpool: Liverpool UP.

Boker, P.(1992). Beloved Illness: Transference Love as Romantic Pathology in F. Scott Fitzgerald’s Tender is the Night. Literature and Medicine, 11(2), 294-314.

Brand, D. (2009). Tourism and Modernity in Tender Is the Night. New York: Bryer.

Bruccoli, M. J. (2002). Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald. Columbia: University of South Carolina Press.

Bruccoli, M. J. & Judith S. B. (1996). Reader’s Companion to F. Scott Fitzgerald’s Tender is the Night. Columbia: University of South Carolina Press.

Bryer, J. R. (2000). F. Scott Fitzgerald: New Perspectives. Athens: University of Georgia Press.

Burton, M. E. (2007). The Counter-Transference of Dr. Diver. Cambridge: Claridge.

Claridge, H. (Ed.) (1991). F. Scott Fitzgerald: Critical Assessments. Robertsbridge, UK: Helm.

Cokal, S. (2005). Caught in the Wrong Story: Psychoanalysis and Narrative Structure in Tender is the Night. Texas Studies in Literature and Language, 47(1), 75-100.

Fetterley, J. (2008). Who Killed Dick Diver? The Sexual Politics of Tender is the Night. Cambridge: Claridge.

Fitzgerald, S. F (2000). Tender is the Night. Rpt. London: Penguin Classics.

Freud, S. (1908a, 2001). Creative Writers and Day-Dreaming. The Standard Edition of the Complete Psychological Works of Sigmund Freud, (Vol. IX). London: Vintage.

Freud, S. (1908b, 2001). Hysterical Phantasies and Their Relation to Bisexuality. The Standard Edition of the Complete Psychological Works of Sigmund Freud, (Vol. IX). London: Vintage.

Freud, S. (1916, 2001). Those Wrecked by Success. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XIV. London: Vintage.

Freud, S. (1917, 2001). Mourning and Melancholia. The Standard Edition of the Complete Psychological Works of Sigmund Freud, (Vol. XIV). London: Vintage.

Freud, S. (1918, 2001). The Taboo of Virginity. The Standard Edition of the Complete Psychological Works of Sigmund Freud, (Vol. XI). London: Vintage.

Freud, S. (1918, 2001). The Loss of Reality and Psychosis. The Standard Edition of the Complete Psychological Works of Sigmund Freud, (Vol. XIX). London: Vintage.

Freud, S. (1926, 2001). Inhibitions, Symptoms and Anxiety. The Standard Edition of the Complete Psychological Works of Sigmund Freud, (Vol. XX). London: Vintage.

Fryer, S.B. (1985). Nicole Warren Diver and Alabama Beggs Knight: Women on the Threshold of Freedom. Modern Fiction Studies, 31(2), 318-326.

James L. W. (2011). F. Scott Fitzgerald and American Psychiatry: A New Letter. American Imago, 68(1), 59-65.

Kristeva, J. (2002). Intimate Revolt. New York: Columbia University Press.

Pelzer, L. C. (2000). Student Companion to F. Scott Fitzgerald. Westport, Connecticut: Greenwood Press.

Stavola, T. J. (1979). Scott Fitzgerald: Crisis in an American Identity. London: Vision Press Limited.

Troy, W. (2007). The Worm i’ the Bud. Cambridge: Claridge.





DOI: http://dx.doi.org/10.3968/n

Refbacks

  • There are currently no refbacks.


Copyright (c)




Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard


Reminder

How to do online submission to another Journal?

If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: [email protected]; [email protected]; [email protected]

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail[email protected]; [email protected]; [email protected]

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture